how do immersive performers adapt their movement for 360-filming?
In collaboration with BBC R&D, I designed and ran a four-day study of performance practice for 360-filming. Four groups of actors rehearsed a short scene, designed to create dramatic shifts in character dynamics, in two conditions: filming with a 360-degree camera or for an audience member seated in the environment.
Findings from the study were published in the proceedings of ACM CHI 2017.
presentation
Here is the video of the presentation I made of the BBC R&D study at CHI 2017. I focus on proxemics and rehearsal techniques only briefly touched upon in the paper.